Warren Hastings
Miller Jr. Interview
By David Wescott, © 2012
Written as a follow-up to Brent Payne's post at http://thewoodslife.com on
the writings of Warren Miller. Check it out.
By David Wescott, © 2012
Written as a follow-up to Brent Payne's post at http://thewoodslife.com on
the writings of Warren Miller. Check it out.
One great thing about the Internet is that it is an
unbelievable source for getting to know historic figures. A good number of the
authors with books on classic camping have been written about for their literary contributions (White, Hough, Wallace, Seton, Kephart). Unfortunately,
Warren Miller is not among them. It’s time to correct this so his influence on
the outdoor genre and the field of classic American camping in general is not
overlooked (we need to do this for people like Mason, Jaeger, and Buzzacott as
well) .
This is a first attempt at a biographical sketch of Warren
Hastings Miller (1876-1960) editor of Field
and Stream and prolific author of outdoor skills books for boys. It’s
interesting to note that Millers books, Camping
Out (1912) and Camp Craft (1915)
were two of the seminal works that stimulated my interest in assembling Camping In The Old Style in 2000. There
were a few photos in his books that used some people as regular subjects. One I
assumed was Warren himself. I was mistaken, but I didn’t know it until a few
months after the book’s release. While eating dinner one evening, a phone call
came. It was a gentleman from Florida. The conversation went like this:
Wescott: Hello?
Miller: You have no idea what my father looks like do you?
Wescott: Excuse me?
Miller: I said, “You have no idea what my father looks like
do you”?
Wescott: I’m not sure. Who is this?
Miller: This is Warren Miller Jr. and you have incorrectly
identified my father in a number of photos in your book.
Well, he good-naturedly directed me to a photo that was
indeed his father, and set me straight. I had barely done enough research to
complete my book, and had nowhere near mastered the subject. I asked Warren for
his phone number and if I could call him back when I got around to improving my
knowledge about his father.
I finally got around to calling him yesterday (12/2/12- ten years later). He
said wryly, “I was wondering when you were going to call back.” The following
are a few notes I was able to collect from our conversation.
Conversation Notes
Via phone with David
Wescott - December 2, 20012
Warren Hastings Miller Sr.
Born: 1875 in Honesdale, PA
Died: 1960 Melbourne, FL
Buried: Gloucester, MA
Looking at photos of him in the field, often accompanied by
David Abercrombie, I assumed he was a tall thin man. Warren Jr. corrected me
again by telling me that he was thin (his weight averaged about 120 pounds, but
was regularly around 106 pounds), but he was not tall. He was only 5’6” tall.
Miller was a very patriotic citizen and always ready to
volunteer in times of crisis. He is listed in the New Jersey census as an able seaman in the N.J. Naval Reserve attached to the USS Portsmouth from 1896-1898. He served in active duty on the USS Glacier during the
Spanish-American War (1898).
Upon his return from the war, he was married and his first child
was born to him and his wife Susan Barse in 1901. He was named Barse Miller and
became a well-known artist and muralist in California. He lived in the Monterey
area (* I wonder if he was buddies with another of my heroes, Joe Mora?). Warren
and Susan had 3 more children between 1901 and 1911 and moved to Gloucester, MA
as she was an active artist and Gloucester was an artist’s colony at the time.
He spent most of his life in the Hudson River area, living on one side of the
river or the other at times. Susan tragically died of an upper respiratory
infection at the age of 50.
Miller was trained as a mechanical engineer and worked for
the Eastern Standard Oil Company (now Exxon) and was responsible for three new patents.
Starting in 1909 he took on work at nights to help out at the offices of Field and Stream. He was an avid
tinkerer and was interested in improving gear for hunter, fisherman and outer
alike.
During WWI (1917-18) Miller served as an Assistant Gunnery
Officer on the USS Utah and was ready to volunteer to go into battle when the
Armistice was signed. He retired as a Navy Lieutenant and later acquired the
nickname Cap.
In 1910 Miller became the managing editor of Field and Stream magazine and served in
the position until 1918. While he was the editor, he oversaw the serialization
of works by well-known authors such as Zane Grey. He also saw to it that the
magazine was the official publication of the Campfire Club of America, working
with the likes of Seton, Pinchot and Roosevelt. (From The Best of Field and Stream: 100 Years of Great Writing)
From the time of his first publications (starting in 1911 with Canoeing, Sailing and Motor Boating), Miller wrote in a
conversational style that was familiar to his way of storytelling. He titled
them “Boys Books,” the big “B” possibly honoring his eldest son Barse. As he
noted in one of his introductions, if you were reading his book, you were
either 12 years old or the father of a 12 year old. I read once that much of
the outdoor how-to genre was disguised as if it was for boys, but really written
for men.
Miller shared a common love of the outdoors with David
Abercrombie and Frank Stick, an illustrator for Field and Stream. The three of them camped regularly during
Miller’s tenure at the magazine, making 6-week expeditions throughout the country.
They traveled west by train to Montana’s Continental Divide country. There they
hired a local named Montana John (the source for Miller’s protagonist Big
John). He was such a unique character, full of Montana-isms, that Miller followed
him around with notebook and pencil, jotting down everything that came out of
his mouth. This was an epoch winter expedition that resulted in many good
stories and photos.
The results of the trip became:
1924 The Ring-Necked Grizzly
1926 The White Buffalo
Warren Miller photos.
Warren Jr. told me a favorite story about a mouse in the woodpile. Miller was
proud of his lightweight gear, but in Montana they slept in what he called “a
classic rag house” – that’s a traditional outfitter’s wall tent with tent
stove. There was a woodpile in the tent to fuel the stove. One night Miller
kept hearing a mouse running around and proceeded to shoot it with his pistol.
The shot woke everyone up, and since the mouse came back, clearly he had missed his target, so everyone else wanted
to give it a try. The result was 10-12 dead mice and probably a well-ventilated
tent.
They also traveled by train to Flagstaff, Arizona where they
hired a packing guide and rode north crossing the Colorado River at Lee’s
Ferry, and onto the Kaibab Plateau where they spent over a month hunting and
fishing.
The results of the trip became:
1923 Red Mesa
1924 The Black Panther of the Navajo
Shortly after leaving Field
and Stream, he was approached by a well-known publisher who liked his
writing style. He agreed to a contract with Harper & Brothers to produce 5
novels for youth. When he asked what they wanted the books to be about, their
response was “anything but Penrod” (a
series of kids books by Booth Tarkington about the adventures of a Tom
Sawyer-like character growing up in the pre-WWI Midwest). He decided on a
series of adventure and travel novels featuring “boy explorers.” To acquire
information for the books, he set sail in 1921 on a 15,000 mile voyage to New
Guinea, Java, Borneo, and Sumatra. There he chartered a “Proa”, a lateen-rigged
junk with a crew of six natives that cost him about $15 a month, and was able
to sail to obscure locations gathering stories not commonly written about (New
York Times Nov. 27, 1921).
The results of this trip became:
1921 The Boy Explorers in Darkest New Guinea
1922 The Boy Explorers Across Borneo
1923 The Boy Explorers and the Ape-man of Sumatra
1923 The Boy Explorers on Tiger Trails in Burma
1926 The Boy Explorers in The Pirate Archipelago
1923 The Boy Explorers on Tiger Trails in Burma
1926 The Boy Explorers in The Pirate Archipelago
It’s not commonly known that Miller also lived in North
Africa among the Berber people of Tunisia where he gathered information for his
1927 book Sahara Sands, which is another of the "Boy Explorers" books.
About 1937, while living in White Plains, NY, Miller
remarried. His new wife, Elizabeth White was the chorister at the church where he was the
organist, and they subsequently had 2 more children – his second family – one
of which is Warren Jr.
Warren Jr. remembers his father as a gifted storyteller –
that was why he was such a good writer, he wrote as he spoke. His favorite
story subjects were – Naval history, his boyhood in Perth Amboy, NJ where he
learned to hunt, fish and sail, as well as stories that came from his novels.
Warren Jr. said he rarely spoke of his first family as they were all grown by
the time he was born. Presumably relations were amicable but not close.
SO the big question – What happened to all his gear?
In 1945 Miller was struck with Prostate Cancer. He was
successfully treated, but told that spending winters in MA would kill him. He
moved his family to Melbourne, Florida for the winters and back to the
Gloucester home for the summers. In 1954, age and finances required that he
sell the MA home. Warren Jr. and 2 of his brothers were dispatched to the home
with a list of exactly what to bring back. At the time, all of the gear was
just a bunch of “obsolete camp stuff” –
too old to be any good, but not old enough to be of any value. It was all thrown
out with the exception of a few of Miller’s favorite guns.
By this time, Warren Jr. says, “Dad was over it. The old
days had past. We did a little camping, but not like he used to. Dad was always
active, and it wasn’t until he was about 80 that he started to look his age.”
About 1953 Miller and Jr. (age 14) did build a sail boat together in Florida.
Warren Jr. mentioned that this was a powerful lesson on how people can make
things from scratch, learning that you could actually produce something of value.
While living in MA Jr. managed to convince his parents to
buy a 16’ Snipe class sail boat. This was part of the load brought back to
Florida when the house was sold. He mentioned that he was taught to sail mostly
by his mother, from what she had been taught by his father.
In closing I mentioned our classic camping symposium held
last year here in Idaho. I also told him that there was a general renaissance
in the field of traditional skills and classic style, and that Miller is being
re-read by a whole new generation. His words are still teaching “boys” 100
years after they were written, and they’re still valid. He mentioned a client
of his engineering firm brought a recent copy of Field and Stream into the office
to show him that an article on rifles had quoted his father’s book Rifles and Shotguns (1917).
We talked about the idea of heritage and tradition,
whereupon Warren said his father knew the old skills but was proud of his
development of new equipment and enjoyed the latest gear – his paraffinned/muslin
tent and his nesting aluminum cook set. This is a discussion that Steve Watts
and I have been having for a while – the blending of old skills and new
technology. This has been a common dichotomy throughout many generations of
campers. The contemporary Classic-style has simply chosen a specific time
period and deals with the skills and gear common to the Golden Age of Camping.
Warren asked me if I had heard of the book The Lone Woodsman (1943) or sometimes
titled Two Hands and A Knife (the
title was changed by the copyright holder after one of the 11 editions. There
is a current book by the same title by another author) (“Dad always sold the
rights outright ... he never made any money on his books.”). It was his most
popular book by far. It was about a boy (like Dad) who was interested in Indian Lore
and haunted the halls of the New York Museum of Natural History to learn
everything he could about how to live as they did. (“Dad always favored the
Indians in his writing. He thought they got a raw deal, and that they deserved
better than they got. They deserved credit for what they knew.”) The boy took a
train north to live with the Canadian Cree for a summer. The train put him off
at Lac Suel with his gear, canoe and his dog. While crossing the lake, the
canoe swamped in a storm. The boy managed to save himself with only his shorts,
a leather belt, his dog and collar and a knife. The idea was to teach youth how
to think when simple questions like “What am I going to eat” need to be
answered. It’s a different way of thinking.
The book has drawings by his brother Barse as well as Kurt
Weise a comic artist who had a strip similar to Mark Trail. Warren Sr. said that he once got a letter from a man
who was coming to visit who had used the book to live like the main character
Dan Pickett. Upon seeing the man, Warren said “He looked pretty pale to me.”
* Note: These are two posts from Warren Jr. and myself that added another interesting touch to the story - at least for me.
I took the liberty of making a few corrections to your write-up (in red), but on the whole, it is very good. But you surprised me with your comment about Joe Mora. Let me tell you about Joe (truly Jose). When Dad was growing up, he ran around (and sailed and camped and hunted) with a group of boys. One of them was Eber Hubbard, whose father was a battlefield surgeon in the Civil War. It's too bad that Dr. Hubbard was a true hero, who didn't tell war stories, or I would have heard stories about the Civil War straight from the source! Another was Ray Roberts (known as "Rabbits" from his name and big feet, and when they were perhaps 12 years old, a new boy joined the group, Joe (Jose) Mora, whose father (from Mexico) came to Perth Amboy to run the local ceramics business. He and Dad were great friends, and whenever Joe published a new book (Trail Dust and Saddle Leather, Californios), he sent Dad a copy. He was a superb artist. I have no idea how he got from Perth Amboy to New Mexico, but I assume that his family lived there. - Warren
It's a small world. I have always been a huge Mora fan ever since I was a kid. I used to have his illustrated park maps and cowboy and indian posters hung up in my room. I have copies of the 2 cowboy/indian posters hanging in my office right now. I taught at NAU in Flagstaff for 3 years and had a chance to go through his complete collections in the library there. His Dad was a Catalonian sculptor (Spanish - wife was French) and brought the boys to New Jersey from Montivedeo, Uruguay where they were born. Mora made several trips west at the turn of the century, traveling through Texas and Mexico to learn the skills of the Vaquero, but headed west for good about 1903, to record the California and Native American traditional ways. From 1904-1906 he lived at Oraibi, AZ documenting pueblo life and amassing an amazing catalog of Kachina paintings. He spent time near where I grew up, and eventually settled in the Monterey area. He was highly influenced by the California mission style. My folks were bay area brats and were way into Arts and Crafts and Mission style, so Mora was always in our house. Pretty cool. Thanks again, David
Thanks to Warren Miller Jr. for assisting me in completing
my bibliography of his father’s works. According to Warren Jr., Warren Miller
Sr. wrote over 30 books. This is the first published compilation that I’m aware of.
Warren Jr. said he had a complete collection of all of his works on the shelf
of his home in Florida.
1911 Canoeing,
Sailing and Motor Boating
1912 Camping Out
1915 Camp Craft
1916 The Boy’s Book
of Hunting and Fishing
1916 Medicine Man in
the Woods (not on Warren Jr’s list)
1916 The Angler’s
Guide – later The Outdoorsman’s Handbook
1917 Rifles and
Shotguns
1917 The Boy’s Book
of Canoeing and Sailing
1919 The American
Hunting Dog
1919 The Ring-Necked
Grizzly
1920 Sea Fighters
1921 The Sportsman’s
Workshop
1921 The Black
Panther of the Navajo
1921 Castaways of
Banda Sea
1921 The Boy
Explorers in Darkest New Guinea
1922 The Boy
Explorers Across Borneo
1923 The Boy
Explorers on Tiger Trails in Burma
1923 The Boy
Explorers and the Ape-man of Sumatra
1923 Red Mesa
1924 Medicine Gold
1926 The Boy
Explorers in The Pirate Archipelago
1926 The White
Buffalo
1926 All Around the
Mediterranean
1927 Sahara Sands
1928 Ensign Wally
Radnor, U.S.N.
1929 Under The
Admiral’s Stars
1937 Tiger Bridge
1939 Boys of 1917
1943 The Lone
Woodsman
1946 The
Home-Builders ©2012
The man in the middle of the second picture with the bedroll on his shoulder is Eltinge Warner - Publisher/Editor of Field and Stream at the time. This photo was taken at a Camp-Fire Club gathering around 1910-1912.
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